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This clever and hilarious coming of age film stars Beanie Feldstein and Kaitlyn Dever as two teenage best friends who opt to go to at least one last party now that high school is over. Dever's character has one of several realest young lesbian stories you will see in a movie.
Penned with an intoxicating candor for sorrow and humor, from The instant it begins to its heart-rending resolution, “All About My Mother” may be the movie that cemented its director being an international pressure, and it remains one of several most affecting things he’s ever made. —CA
It’s hard to imagine any of your ESPN’s “thirty for 30” series that define the trendy sports documentary would have existed without Steve James’ seminal “Hoop Dreams,” a 5-year undertaking in which the filmmaker tracks the experiences of two African-American teens intent on joining the NBA.
For all of its sensorial timelessness, “The Girl around the Bridge” may very well be far too drunk By itself fantasies — male or otherwise — to shimmer as strongly today since it did in the summer of 1999, but Leconte’s faith inside the ecstasy of filmmaking lingers each of the same (see: the orgasmic rehearsal sequence established to Marianne Faithfull’s “Who Will Take My Dreams Away,” evidence that all you need to make a movie is a girl along with a knife).
Iris amateur porn (Kati Outinen) works a lifeless-end position in a match factory and lives with her parents — a drab existence that she tries to flee by reading romance novels and slipping out to her nearby nightclub. When a man she meets there impregnates her and then tosses her aside, Iris decides to x * * sexy video have her revenge on him… as well as everyone who’s ever wronged her. The film is practically wordless, its characters so miserable and withdrawn that they’re barely in the position to string together an uninspiring phrase.
Skip Ryan Murphy’s 2020 remake for Netflix and go straight to your original from 50 years before. The first film adaptation of Mart Crowley’s 1968 Off-Broadway play is notable for being one of several first American movies to revolve entirely around gay characters.
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I have to rewatch it, considering that I'm not sure if I got everything right with regard to dynamics. I might say that surely was an intentional move with the script writer--to enhance the theme of reality and play blurring. Ingenious--as well as confusing.
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It’s no wonder that “Princess Mononoke,” despite being a massive strike in Japan — and a watershed moment for anime’s existence over the world stage — struggled to find a foothold with American audiences who are rarely asked to acknowledge their hatred, and even more rarely challenged to harness it. Certainly not by a “cartoon.
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Annette Bening and Julianne Moore play the moms of two teenagers whose happy home life is thrown off-balance when their long-in the past anonymous sperm donor crashes the party.